

Write one octave ascending of each of the following scales. Name the key of each scale.Įxercise 3.1 - Ascending Scales with Accidentals Use semibreves (whole notes) and start on the tonic. Write one descending octave of the major, minor harmonic and minor melodic scales that have these key signatures, (add any necessary accidentals). Click here to print some manuscript paper.Įxercise 2.2 - Descending Scales with Key Signatures Write one ascending octave of the major, minor harmonic and minor melodic scales that have these key signatures, (add any necessary accidentals). Point your mouse at the image - X marks the errors.)Įxercise 2.1 - Ascending Scales with Key Signatures There could be one or two mistakes in each scale. Hover your mouse over the stave to reveal the answers (tap on mobile devices)Ĭorrect the mistakes in the following scales. (Updated July 2020 for the new online ABRSM exams. Grade Five Music Theory - Lesson 6: Scales Exercises Composing a Melody for Voice Exercisesġ5. Composing a Melody for Instrument Exercisesġ4. Composing a Melody: (General) Exercisesġ3. Many students practise all their scales legato (smoothly) and only use other articulations such as staccato when preparing for an exam - this defeats the object somewhat! Play them smoothly, staccato, mezzo-staccato, with emotion, without emotion.12. If you find some scales more difficult than others, put more slips in for those scales, and the chance of pulling one out of the envelope will increase!Īlways practice your scales with a variety of articulations and expressions. Each practice session, take out a few slips and practise those scales. Make sure you practice a variety of scales - if you are at a high grade and there are lots of scales you need to master, consider writing them out on slips of paper to keep in an envelope. Never play so fast or for so long that your arms or fingers begin to ache - this can cause damage and set you back in your practice regime. For the other 50% of the time, practise without the metronome but pay attention to keeping a steady, unfluctuating speed. Take five or ten minutes a day to do this as a warm up, and you will quickly see your scales improving, which will in turn lead to a stronger overall technique. Then, move up one click of the metronome only when you have played a scale perfectly three times. If you can't, slide you metronome weight down to a lower speed, until you find your starting point. Make sure you can play the scale evenly, with no mistakes. Start of with a medium tempo - about 2 notes per click at a speed of 60. The best way to practise scales is with a metronome 50% of the time. Practice your scales regularly - there are lots of benefits! You will help to strengthen the muscles in your hands, you will become a better sight-reader (consider how much melody is made up of parts of scales!), and your understanding of the theory behind music, in particular key and tonality, will improve.
One octave melodic minor scales clarinet how to#
How to Practise Scales - Scales are your Friend! Scales here are written out in quavers (eighth notes) to illustrate how they are most commonly played in exams, with four notes to a beat. Each octave is just a repeat of the last. Only one octave is given - you can extend the scales over as many octaves as you like. If you need to work out how scales are constructed with patterns of tones (whole notes) and semitones (half notes), take a look at our " How to write Scales" page. If you need the natural minor scale - use the descending part of the melodic minor scale - it is the same! Here is a complete list of the major, minor harmonic and minor melodic scales, in treble and bass clefs.
